The movie, which reunites the lead actors from Lowery’s “Ain’t Them Bodies Saints,” stars Casey Affleck as a homebody musician and Rooney Mara as his restless wife. Jokingly pitched as a “‘Beetlejuice’ remake directed by Apichatpong Weerasethakul,” David Lowery’s crafty and ingenious “A Ghost Story” elevates a simple haunting into a powerful meditation on love, time, and the inevitable dissolution of all things. Image Credit: Sailor Bear/Kobal/Shutterstock The result is a fantasy so rooted in the main character’s view of the world that to experience “Enter the Void” is to be simultaneously elevated and grounded, subjected to a rush of psychedelic uppers and downers that only Noé can control. In flashbacks, the camera sits atop the character’s shoulder so that all events are experienced from his perspective. Noé and cinematographer Benoît Debie turn their camera into a physical manifestation of their main character’s stream of consciousness, shooting the film from the floating soul’s first-person perspective as it hovers over the city. Noé’s passion project centers around an American drug dealer who is shot by police on the streets of Tokyo and has a out-of-body experience in which he experiences the aftermath of his death through his floating consciousness. “Enter the Void” is the closest that master provocateur Gaspar Noé has gotten to making a fantasy movie, and what a mind-frazzling fantasy it is. These are triumphs of imagination and world-building that seem incapable of losing their power to enchant. Space-borne fantasy - “Star Wars” and its ilk, a rich enough world to inspire its own list - is excluded here, as are films in which fantasy is expressed primarily as simply daydreams. These 40 fantasy films open up new worlds and new paths of understanding and empathy. The best escapist entertainments ultimately bring us back to ourselves. Sometimes you need to step outside of yourself to look back in. The best fantasy filmmakers - Jean Cocteau, Guillermo del Toro, and Hayao Miyazaki, among so many others - understand the psychological power of escapism. But the cinema has a capacity for escape unlike any other medium - shouldn’t that be embraced? Escapism is often used as a dismissive term, even by those who use it endearingly. Tolkien’s motto in “The Lord of the Rings” also captures one of the things that’s so powerful and intoxicating about the art of movies itself: that feeling of leaping through the screen, leaving your life behind, and being immersed in something totally new.
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